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The Marketleap Report
Vol. 1 - Issue #7 - May
4, 2001
BMW's Online Driving Movie Frenzy
By Keith Boswell
A stiff gate can push you back. Conversely,
a frantic ride into the night, dodging road hazards
like a guided missile, can really pull you in.
It was a strange image, waiting on
the web like I would in line at the cineplex for the
new BMW film series. Having read some of the coverage
about the premiere of five short films featuring award-winning
directors like Ang Lee, John Frankenheimer and Guy
Ritchie, my anticipation was high.
The films were designed to highlight
each director's style mixed with the driving power
of some very high-end BMW toys. They promised to deliver
on what the web does best: a mixture of information
and media not found in other mediums.
While remembering the amazing driving
sequence from Ronin, directed by Frankenheimer, my
expectations suddenly hit the brakes. On Monday night,
waiting outside for the doors to open, the same message
kept appearing with each attempt to sign in for the
film's premiere.
After
several hours of surfing and going back to the site
to see if the movie was ready for screening, my patience
gave out. Resolving to head back into my house, the
thought, "A few minutes means a few minutes!"
rang in my mind.
The next day it worked fine. No messages,
no distractions, just pure paved excitement driven
in the finest form. The driving was amazing, the pacing
perfect, the car a subtle reminder of excellence.
Frankenheimer's film Ambush delivered as promised.
The new commercial is born. Sitting
somewhere between HBO and late-night prime time, these
films fit the technology well: product placement in
the extreme as the race to capture the mind evolves.
Not confined to a thirty second spot that needs to
be glamorous, the five and a half minute film conveys
emotion just like a blockbuster movie or compelling
TV show.
Browsing the site after viewing Ambush,
the preview for the new Ang Lee debut on the 10th
of May generated renewed interest in returning. Reading
about the production, you feel as if you are witnessing
the marriage of the web, advertising and Hollywood.
The writer of Boiler Room is assisting
in tying all the stories together. The director of
Seven and Fight Club is the executive producer. Over
five weeks, five of the industry's finest get to shine
alongside BMW.
Smart companies are turning to the
web to create a new vision of their products and image.
No longer restrained to a fantastic Flash site or
amazing front end design, innovative content for the
web is being created that pushes the boundaries between
advertising dollars that fund most everything and
consumers prepared to eat it up.
Creative minds are being given the
challenge of using products in ways they have never
been able to before. The bullet-riddled BMW at the
end of Ambush is no longer an object of beauty. But
as the viewer, you understand that doesn't matter,
considering that you made it to hell and back without
a hiccup.
VW.com has been showing films on its
site from a partnership with AtomFilms, but their
content neither features nor highlights their cars.
That difference speaks to the sophistication of the
different approaches. VW is aligning itself with creativity
and independent filmmaking. BMW is letting award-winning
talent tell you why you always wanted a BMW.
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